Pisspots and Paintings, 2018, oil and watercolour on ply, 52 x 38 cm each

Pisspots and Paintings, 2018, watercolour on papier mache, galvanised steel shelf

Untitled (Orlestone), 2016, oil and watercolour on canvas, Orlestone Forest Scots Pine reproductions of Martin Visser's 1961 BZ Slat Bench, 1947 Men of the Trees Diary and Forestry notebook with facsimile 

Untitled (PA/OT XIV), 2014, debris from the Thames, nitrous oxide canisters

Untitled I (Orlestone), 2016, oil and watercolour on canvas, Orlestone Forest Scots Pine reproductions of Martin Visser's 1961 BZ Slat Bench

Untitled VI (Orlestone), 2016, oil and watercolour on canvas

There's always a chance we could live forever, 2015, oil on canvas & oil on bookplates

On Edge, 2015, oil on canvas, 55 x 40 cm

Untitled II (Orlestone), 2016, oil and watercolour on canvas 

A paradoxically energized calm combined with a buoyantly fresh view of the world that is anchored in history, 2015, oil on canvas, 160 x 120cm

Untitled (Orlestone Benches), 2016, Orlestone Forest Scots Pine reproductions of Martin Visser's 1961 BZ Slat Bench

Untitled (PA/OT X), 2014, acrylic on lino tiles

The picture is laboured and clumsy and overstrained, but it does express the idea which it attempts to illustrate, 2015 

oil and pencil on canvas, 60 x 45cm

There's always a chance we could live forever, 2015, oil on canvas & oil on bookplates

There's always a chance we could live forever, 2015, oil on canvas & oil on bookplates

Making a Scene, 2015, oil on linen, 40 x 30 cm

Untitled (Brancusi), 2015, oil on bookplates, 40 x 46.5 cm

When all you have to hide behind is glass, 2015, oil on canvas, 100 x 70 cm

Study for a bigger and better painting, 2015, oil on canvas, 25 x 25 cm

There's always a chance we could live forever, 2015, oil on canvas & oil on bookplates

So Modern, 2013, wall painting, fluorescent light, print of Peter Gallo’s Goodbye Picasso #1 (oil and pencil on found photo, n.d)

So Modern, 2013, monoprint

So Modern, 2013, Joy Division Unknown Pleasures cd, blockprinting ink

So Modern, 2013, extended performance of Joy Division's She's Lost Control by Pedrag 'Pex' Delibasich

So Modern, 2013, wall painting, fluorescent light, print of Peter Gallo’s Goodbye Picasso #1 (oil and pencil on found photo, n.d),

tripod, poster (edition of 2000), extended performance of Joy Division’s She’s Lost Control by Predrag “Pex” Delibasich

Untitled (PA/OT V), 2014, oil on canvas, 170 x 140 cm

Untitled (PA/OT II) 2014, oil on canvas, chair

Untitled (PA/OT III), 2014, ink and oil on canvas, microphone stand

Paintings and or Things, 2014, found text, marble and wire debris, oil on canvas

Paintings and/or Things, 2014, oil on canvas

Untitled (PA/OT VI), 2014, oil on canvas, 120 x 100 cm

The Other Side of the Sky, 2014, Grandfather's green coat, drawing pins

Dark Matter, 2012, c type print, found objects and collage

Untitled (Proust), 2013, oil on canvas & inkjet prints

A forgotten industrial contraption turned poetic intervention, 2015, oil on canvas, 43 x 35 cm

Untitled (Manet), 2015, oil on paper, 40 x 31.5cm